Adobe Photoshop Quick Study Episode- 13

a. Double-click the file

b. Choose File > Edit in Photoshop

c. Choose File > Save to Photoshop

d. Press Cmd/Ctrl+E

a. Use the keyboard shortcut Cmd/Ctrl+Z

b. Click a state in the history panel

c. Choose File > Undo

d. Press Cmd/Ctrl+U

a. Click the eye icon in the layers panel

b. Use the Move tool with auto-select enabled

c. Right-click the image and select layer

d. Press Cmd/Ctrl and click the layer

a. Choose the Cylindrical method.

b. Choose the Perspective method.

c. Adjust the Boundary Warp slider.

d. Select Auto Crop.

a. Clear the Delete Cropped Pixels box.

b. Select the Delete Cropped Pixels box.

c. Use the Smart Crop tool.

d. Hold the Alt (Windows) or Option (Mac) key.

a. presets

b. Camera Matching profiles

c. calibration

d. snapshots

a. Sampled Colors

b. Skin Tones

c. Key (Blacks)

d. Out of Gamut

a. Select Image > Auto Tone.

b. Select Image > Auto Color.

c. Alt-click (Option-click) the Auto button in the Properties panel when you have a Levels or Curves adjustment layer targeted in the Layers panel.

d. Hold down the Alt (Option) key and select Image > Auto Color.

a. C, D

b. D, E

c. B, C

d. C, E

a. 300

b. 100

c. 1,000

d. 72

a. flatbed scanner

b. slide scanner

c. all-in-one unit

d. drum scanner

a. PSD

b. PNG

c. TIFF

d. BMP

a. Use the PDF Presentation command.

b. Click File > Export > Export Layers to Files.

c. Check to see if you have Acrobat DC installed.

d. Save each PDF separately first and then combine them.

a. size of the image

b. position on the page

c. paper quality

d. color management policies

a. It allows you to use the Pen tool to edit a selection

b. It allows you to use the Brush tool to create or refine a selection

c. It allows you to duplicate a mask quickly.

d. It allows you to convert a vector mask to a layer mask.

a. Black and White adjustment layer

b. Posterize

c. Threshold

d. Image > Mode > Grayscale

a. The filter doesn’t work on a 16-bit image.

b. The filer is not correctly installed.

c. The filter doesn’t work on a 32-bit image.

d. The filter requires a selection to be made first.

a. Adjustment Brush

b. Depth Range Mask

c. Luminance Range Mask

d. Color Range Mask

a. tool sets

b. preferences

c. modifier keys

d. tool presets

a. Guided

b. Vertical

c. Level

d. Full

a. Upsample large images

b. Convert 8-bit images to 16-bit

c. Apply compression to the document

d. all of these answers

a. Levels

b. Shadows/Highlights

c. Curves

d. Hue/Saturation

a. grouped with the Eyedropper tool

b. Image > Mode > Red Eye

c. Edit > Red Eye

d. grouped with the Spot Healing Brush tool

a. Contiguous

b. Anti-alias

c. Auto-Enhance

d. Sample All Layers

a. A

b. B

c. C

d. D

a. Patch

b. Vanishing Point

c. Clone Stamp

d. Healing Brush

a. Convert the video file to an image sequence.

b. Convert the video file to a Smart Object.

c. Actually, you cannot use filters on video files.

d. Convert the video file to an animated gif.

a. Photoshop EPS

b. Photoshop PDF

c. Large Document Format

d. Photoshop PSD

a. JPEG

b. GIF

c. PNG

d. Photoshop EPS

a. that the tool is currently deselected

b. tool options

c. that the tool is currently selected

d. grouped or hidden tools

a. Match Color

b. Replace Color

c. Hue/Saturation

d. Levels

a. Reverse

b. Threshold

c. Invert

d. Inverse

a. droplet

b. batch

c. scriptlet

d. image process

a. Refine Edge

b. Quick Select

c. Magic Wand

d. Lasso

a. Mix

b. Fade

c. Smooth

d. Blend

a. Exposure

b. Color Lookup

c. Brightness/Contrast

d. Curves

a. Window > Workspace > Grid

b. View > Show > Slices

c. View > Show > Selection Edges

d. View > Show > Pixel Grid

a. A toolset

b. A layer set

c. A keyboard shortcut

d. A workspace

a. Gaussian Blur

b. Lens Blur

c. Shape Blur

d. Surface Blur

a. Vertical scale

b. Kerning

c. Leading

d. Tracking

a. Color Handling: Photoshop Manages Colors

b. Separations

c. Color Handling: Printer Manages Colors

d. Hard Proofing

a. You must add a spot color channel first

b. You must remove all existing colors by Image > Adjustments > Desaturate first

c. Duotones require a single channel, so you must convert to grayscale first

d. Duotones require two channels, so you must delete one of the RGB channels in the Channels panel first

a. anti-alias

b. fade

c. blend

d. curve

a. GIF

b. PNG-8

c. PNG-24

d. JPEG

a. You forgot to Shift-click to set the source point for the tool

b. You forgot to Alt-click (Windows) or Option-click (Mac) to set the source point for the tool

c. You forgot to double-click to set the source point for the tool

d. You forgot to Ctrl-click (Windows) or Command-click (Mac) to set the source point for the tool

a. Adobe RGB

b. ProPhoto RGB

c. RGB

d. sRGB

a. Sample All Layers

b. Protect Tones

c. Use Pressure for Size

d. Protect Colors

a. Edit Contents

b. Replace Contents

c. Relink to File

d. Export Contents

a. Path Blur

b. Tilt-Shift Blur

c. Iris Blur

d. Field Blur

a. Color cast

b. Clipped shadow detail

c. Overexposed details

d. Clipped highlight detail

a. the edges affected by the Sharpen command as refined by the Masking slider

b. the edges affected by the Sharpen command as refined by the Radius slider

c. the edges affected by the Sharpen command as refined by the Detail slider

d. the edges affected by the Sharpen command as refined by the Amount slider

a. A

b. C

c. D

d. B

a. Photoshop does not have natural media brushes.

b. In the Brushes panel, select a brush and then select Convert to natural media.

c. In the Brushes panel, select Legacy Brushes.

d. in the Tool Presents panel.

a. View > Show > Show Extra Options

b. Window > Tool Presets

c. Window > Options

d. Edit > Toolbar

a. Pencil tool

b. Vanishing Point

c. Pen tool

d. Trace Contour filter

a. Click `File > Browse in Bridge`

b. Click `File > Browse in Lightroom Classic CC.`

c. Use the Creative Cloud application.

d. Click `File > Browse in Lightroom CC`.

a. Flatten

b. Calculations

c. Multiply

d. Merge

a. Make a selection and click Image > Crop.

b. Clear the Deleted Cropped Pixels check box.

c. Click Image > Trim and select Transparent Pixels.

d. Select the Delete Cropped Pixels check box.

a. Apply the Multiply blend mode to the bottom image.

b. Apply the Screen blend mode to the top image.

c. Apply the Hue blend mode to the top image.

d. Apply the Saturation blend mode to the top image.

a. layer company

b. fill layer

c. adjustment Layer

d. layer Mask

a. It converts the image from a raster image to a vector infographic

b. It uses Adobe Sensei technology to reconstruct pixels that have been interpolated.

c. It references an image in a separate file that retains its resolutions.

d. It uses a layer mask for nondestructive editing.

a. Brush

b. Object Selection

c. Refine Edge

d. Quick selection

a. You can draw a free-form selection with the Lasso tool, but you must make Bezier curves with the Polygonal Lasso tool.

b. The Lasso tool makes free-form selections. The Polygonal Lasso tool makes a selection with a series of connected line segments.

c. You can draw a free-form selection with the Lasso tool. You click and drag with the Polygonal Lasso tool to create Rectangular Marquee selections.

d. The Lass tool can select anything, including enclosed portions of raster images or shapes, but the Polygonal Lasso tool can select only shapes.

a. The adjustment layer contains a vector mask that applies the adjustment only to the unselected pixels.

b. The adjustment layer contains a layer mask that applies the adjustment only to the selected pixels.

c. The adjustment layer contains a layer mask that applies the adjustment only to the unselected pixels.

d. The adjustment layer contains a vector mask that applies the adjustment only to the selected pixels.

a. Adaptive Wide Angle

b. Lens Blur

c. Lens Correction

d. Spherize

a. RGB

b. Bitmap

c. CMYK

d. Lab Color

a. Click the guide with the Selection tool, then select Edit > Clear.

b. Select View > Clear Guides.

c. Double-click the point where the guide touches the ruler.

d. Drag the guide back to the ruler.

a. Calculations

b. Image Size

c. Canvas Size

d. Apply Image

a. Burn

b. Sharpen

c. Blur

d. Dodge

a. up to 8000

b. up to 2000

c. infinite

d. 0

a. Bicubic Sharper

b. Bilinear

c. Preserve Details 2.0

d. Nearest Neighbor

a. clear the contiguous checkbox

b. decrease the tolerance

c. increase the tolerance

d. increase the simple size

a. anti-aliasing

b. Anti-aliasing smoothes the jagged edges

c. aliasing smoothes the jagged edges

d. Smooth the edges

a. Magic Wand

b. Refine Edge

c. Quick Select

d. Lasso

a. Perspective Corp

b. Marquee

c. Lasso

d. Patch

a. Libraries

b. Files

c. Layer Comps

d. Glyphs

a. a layer set

b. a toolset

c. a keyboard shortcut

d. a workspace

a. You need to convert the image to a Smart Object before using this tool.

b. You must first change the blending mode to Screen

c. The Spot Healing Brush tool cannot be used on a transparent layer

d. The Sample all layers check box on the toolbar is not selected

a. Multiply

b. Screen

c. Color

d. Hard Light

a. B, C, and D

b. B

c. B and C

d. A

a. The spot healing brush tool needs a source point, but the healing brush automatically samples pixels nearby.

b. The healing brush tool needs a source point, but the spot healing brush automatically samples pixels nearby.

c. The spot healing brush tool does not match the texture, lighting, shading, or transparency of the sampled pixels, but the healing brush tool blends texture, light, shading, and transparency of pixels nearby.

d. The healing brush tool does not match the texture, lighting, shading, or transparency of the sampled pixels, but the spot healing brush tool blends the texture, light, shading, and transparency of pixels nearby.

a. Quick select

b. Magic wand

c. Lasso

d. Refine Edge

a. Object Selection

b. Brush

c. Quick Selection

d. Refine Edge

a. Divide

b. Combine Shapes

c. Minus Back

d. Outline

a. A, B, C

b. B, C, D

c. B, D, E

d. A, C, E

a. Expand

b. Smooth

c. Feather

d. Frow

a. It will prevent shadows from pushing up.

b. It will increase the mid-tone contrast.

c. It will decrease the overall saturation.

d. It will prevent highlights from being blown out.

a. The Sycamore Leaf 1 layer is the base layer of a clipping mask.

b. The Sycamore Leaf 1 layer is linked.

c. The Sycamore Leaf 1 layer is a Smart Object.

d. The Sycamore Leaf 1 layer is selected.

a. A

b. B, C and D

c. B

d. B and C

a. layer comp

b. adjustment layer

c. layer mask

d. fill layer

a. Group

b. Merge

c. Combine

d. Link

a. Midtones

b. Shadows

c. Highlights

d. Global

a. Layer

b. Filter

c. Image

d. Select

a. Click the On-image adjustment tool, hover over the image with what has become an eyedropper cursor, and drag to the left.

b. Change the preset to Old Style. Then, enable the On-image adjustment tool and select the hue you would like from the image.

c. Enable the On-image adjustment tool, select the hue you would like from the image, and then adjust the slider that appears below Colorize

d. Click the On-image adjustment tool, hover over the image with what has become an eavesdropper cursor, and drag to the right.

a. GIF

b. PSD

c. JPEG

d. PNG

a. on-image adjustment tool

b. sample in image to set black point

c. sample in image to set white point

d. sample in image to set gray point

a. Click File > Scripts > Image Processor.

b. Click File > Export > Export Layer Comps to Files.

c. Click File > Export > Layers to Files.

d. Click File > Scripts > Load files into stack.

a. A

b. B

c. C

d. D

a. Pattern Stamp Tool

b. History Brush Tool

c. Clone Stamp Tool

d. Eraser Tool

a. works in 16-bit mode

b. is optimized for multiple processors

c. has an interface

d. has no interface